Arabic Logo Generator
Generate Arabic wordmarks for brands, packaging mockups, and social headers — fast, consistent, and export-ready.
For best results, paste Arabic text for names or tattoos. Typing English will NOT translate it.
Logo Design Checklist
✓Test at small size
Test at small size (favicon/social avatar) — if it's unreadable, simplify.
✓Consistent stroke weight
Ensure consistent stroke weight across letters for a cohesive look.
✓Avoid overly decorative fonts
Avoid overly decorative fonts unless the brand is luxury/traditional.
Recommended Styles for Logos
Recommended Fonts for Logos
Commercial Use Note
Licensing varies by font. Check each font's license before commercial use. Many fonts here are open-source (OFL), but always verify for your specific project on the Fonts page.
Tattoo Safety Note: This tool does not validate meaning/spelling. Confirm spelling + meaning + RTL direction with a native Arabic speaker or professional before tattooing.
Your privacy:: All designs are generated in your browser. We do not store your text.
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Designing an Arabic Wordmark
A wordmark has a harder job than artwork
A piece of wall art needs to work once, at one size, on one background. A logo needs to work everywhere: at favicon scale and on a building, in one flat colour and in full colour, embroidered on a shirt, etched into glass, cut from vinyl, and printed badly on a receipt. Most Arabic wordmarks are approved on a large clean screen and then discovered to fail in half of those conditions.
This is why geometric scripts dominate Arabic branding. It is not a fashion preference — Reem Kufi and similar faces have even stroke weight and open counters, so nothing critical disappears when the mark is reduced or reproduced by a process that removes fine detail. High-contrast calligraphic scripts lose their thin strokes first.
Test where it will actually fail
Before approving a mark, run four tests. Shrink it to favicon size: do the letters still separate? Render it in a single flat colour: does it still read without tonal separation? Place it on a photograph: does it hold, or vanish into the background? Print it and look at it from across the room: is it recognisable as a shape?
Then consider the production methods this brand will actually use. Embroidery, engraving, and vinyl cutting each remove detail below a threshold. If your mark only works in the conditions where you designed it, it is not finished — and the time to find that out is now, not after the signage quote comes back.
Bilingual lockups: match weight before style
Designers agonise over pairing an Arabic script with a Latin typeface of the right historical period, then ship a lockup where one half is visibly darker than the other. Weight mismatch is what viewers notice; period mismatch is what designers notice. Fix the weight first: set both at final size, squint, and adjust until neither dominates.
Do not force equal point sizes. Arabic needs more vertical room for marks above and below the baseline, and its letterforms are typically smaller relative to their bounding box, so matching nominal sizes leaves the Arabic looking undersized. Match optical presence instead, then align baselines rather than bounding boxes. Finally, decide the reading order deliberately — Arabic reads right to left, so which script leads carries meaning.
From draft to finished identity
This tool will get you to a credible draft fast: compare scripts, test spacing, export a transparent PNG, drop it into mockups, and settle the direction question before anyone spends money. For exploration and client presentation, that is genuinely the quickest route available.
What it cannot do is the final ten per cent. A finished wordmark usually needs custom adjustments — tightening one join, extending a stroke to balance the composition, resolving a collision between a descender and the next word. Those are hand decisions made by a type designer or calligrapher. Treat your export as a specification for that conversation. And before any of it, have a native speaker confirm the name reads correctly: a beautifully set brand name that reads oddly is far more expensive than a plain one that reads right.